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TheatricalThe Woman in Black (2012)
10/02/2012 | Nikki Baughan

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The R [ ... ]


TheatricalMan on a Ledge (2012)
03/02/2012 | Nikki Baughan

For his feature debut, Danish filmmaker Asger Leth follows his 2006 documentary Ghosts of Cite Soleil (co-directed with Milos Loncarevic) with something entirely different; a high concept action thriller that is about as Hollywood as they come. That’s to say that everything is [ ... ]


More Theatrical Reviews

The Scouting Book For Boys (2009)

Theatrical

Paradise Lost...

Although James Cameron's mega-budget Hollywood behemoth Avatar has been dominating column inches over recent weeks, the rest of 2010 is shaping up to be a memorable one for films on this side of the Atlantic. With the likes of An Education and A Single Man dominating awards ceremonies, and films like Philip Ridley's Heartless on the horizon, it's easy to feel upbeat about the current state of British cinema. When something like The Scouting Book For Boys comes along, it' also easy to feel inspired, excited and proud of our home-grown talent.

For most of us, a windswept caravan park in Norfolk would be a pretty miserable place to make a home, but not so for young teenagers David (Thomas Turgoose) and Emily (Holliday Grainger). Utterly inseparable, the pair find joy in the most mundane of situations; we first see them leaping across caravan roofs in the half-light of dawn. Their adolescent utopia is put under threat, however, when Emily's dad announces she will be moving away, and - desperate to preserve their friendship - David agrees to help Emily go 'missing' in the caves near their home. But as the situation escalates, and Emily reveals her deepest secrets, David finds himself increasingly out of his depth...

A surprise highlight o the 2009 London Film Festival, Scouting is one of those films that seems to come out of nowhere and knocks you sideways. Jack Thorne's excellent script challenges expectations from the outset; set within the insular world of the caravan park, the narrative is a compelling character study as sheen through Emily and David's young, and often naive, eyes. Thrown together by their meagre circumstances - alcoholic and absentee parents are the least of their problems - the pair's closeness is, in fact, the catalyst for the increasingly shocking events of the film.

True, the adults around them may not be so deeply developed - Rafe Spall as an older camp guard who turns Emily's head, Stephen Mackintosh as a copper concerned with furthering his career - but they are intentionally bit players in this dark drama, as they are in the kids' lives. Everyone involved is excellent, Turgoose and Grainger are perfect in their roles, demonstrating a mix of vulnerability and waning innocence as they stand on the cusp of adulthood, with a believable chemistry that fuels the narrative, while Mackintosh, Spall and Susan Lynch provide sterling support.

Young director Tom Harper and cinematographer Robbie Ryan do justice to Thorne's exemplary script, capturing te capturing the childlike energy and spirit and the darker aspects of the plot with a naturalistic, low-key style that befits a story that's small in scale but big in ideas. By the time this absolute gem of a film reaches its jaw-dropping denouement, you'll want to watch it all over again.

5 stars

Read Our Exclusive Interview With Scouting Director Tom Harper

ROLL CREDITS...
Stars Thomas Turgoose, Holliday Grianger
Director Tom Harper
Screenplay Jack Thorne
Certificate 15
Distributor Pathe
Running Time 1hr 33mins
Opens March 19

This review was originally published in movieScope #16, which also contains interviews with Scouting stars Thomas Turgoose and Holliday Grainger and is out now. You can also find more Scouting content, including an interview with DoP Robbie Ryan, in movieScope Issue #15, available from the movieScope website.


Theatrical Reviews Archive

The Woman in Black (2012)
Night at the Museum 2 (2009)
Star Trek (2009)
Tormented (2009)
Synecdoche, New York (2008)
Aliens in the Attic (2009)
Drag Me To Hell (2009)
Coraline (2009)
X-Men Origins: Wolverine (2009)
The Wrestler (2008)
GI Joe: The Rise of Cobra (2009)
Terminator Salvation (2009)
Summer Scars (2007)
Blind Loves (2008)
Angels & Demons (2009)
Dorian Gray (2009)
Helen (2008)
Cherry Blossoms (2008)
Delta (2008)
Moon (2009)
Transformers: Revenge of the Fallen (2009)
Harry Potter and the Half-Blood Prince (2009)
Adam (2009)
Jennifer's Body (2009)
Paranormal Activity (2009)
Fireflies in the Garden (2009)
Anything For Her (2008)
The Taking of Pelham 123 (2009)
Pirates of the Caribbean: On Stranger Tides (2011)
Inglourious Basterds (2009)
Afghan Star (2008)
Man on a Ledge (2012)
Watchmen (2009)
Black Swan (2010)
Brüno (2009)
District 9 (2009)
The Disappeared (2008)
Paul Blart: Mall Cop (2009)
Ice Age: Dawn of the Dinosaurs (2009)
Bottle Shock (2008)
The Last House on the Left (2009)
Gran Torino (2008)
Sex and the City 2 (2010)
Coco Before Chanel (2009)
500 Days of Summer
Just Another Love Story (2007)
Heartless (2009)
Frozen (2010)
Sunshine Cleaning (2009)
Predators (2010)
The Expendables (2010)
Public Enemies (2009)
Year One (2009)
Frozen River (2008)
New Town Killers (2008)
Zombieland (2009)
Orphan (2009)
Awaydays (2009)
This Is It (2009)
Hierro (2009)
The Road (2009)
Knight and Day (2010)
The Girl With the Dragon Tattoo (2009): Review & Clips
Red Riding Hood (2011)
Iron Man 2 (2010)
The Unborn (2009)
Not Quite Hollywood (2008)
Source Code (2011)
The Bad Lieutenant - Port of Call: New Orleans (2009)
Fuck (2005)
The Yes Men Fix the World (2009)
Robin Hood (2010)
Tetro (2009)
Shutter Island (2010)
2012 (2009)
Cemetery Junction (2010)
Lebanon (2009)
The Scouting Book For Boys (2009)
Machete (2010)
Submarine (2011)
Drive Angry 3D (2011)
Hereafter (2010)

Highlights

Airborne

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British actress Kimberly Jaraj shares her diary from the set of upcoming airplane thriller Airborne...

READ MORE: Airborne


Pirates of the Caribbean: On Stranger Tides

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Director Rob Marshall, producer Jerry Bruckheimer and stars Johnny Depp, Penelope Cruz, Ian McShane and Geoffrey Rush talk Pirates of the Caribbean: On Stranger Tides...

READ MORE: PotC4


Shadow

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As his visceral horror Shadow comes to DVD, we sit down for an exclusive chat with Italian director Federico Zampaglione

READ MORE: Shadow

Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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