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TrailersHorrible Bosses Trailer
12/05/2011 | Nikki Baughan

Coming later this summer is the R-rated comedy Horrible Bosses, which brings together the not inconsiderable talents of Jennifer Aniston, Jason Bateman, Kevin Spacey, Colin Farrell and Jamie Foxx. Directed by Seth Gordon (The King of Kong, Freakonomi [ ... ]


TrailersRango: Behind the Scenes
19/01/2011 | Nikki Baughan

Directed by Gore Verbinski (Pirates of the Caribbean), Rango is shaping up to be one of the hottest animations of the year. This story of a chameleon suffering from an identity crisis features the A-list voice talents of Johnny Depp, Isla Fisher, Abi [ ... ]


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Kirk, Nero, Sulu & Chekov Talk!

Interview

Star Trek is finally on general release! To celebrate, we chat with stars Chris Pine, Eric Bana, John Cho and Anton Yelchin...

"It’s a very scary thing doing a fight scene with Eric Bana when he’s running at you at full speed" Chris Pine

Chris, you obviously had to take the mantle of Captain Kirk from William Shatner; what qualities did you take for the character?

ChrisPineSTCHRIS PINE I used the script that Alex Kurtzman and Bob Orci wrote as kind of my bible, and that gave me my back story in the sense of who this guy was, why he was who he was. Going back and watching the series, what I was able to take away from it [were] things that I felt that I could use without hitting people over the head with a bad impersonation. What really appealed to me was the way that he moved about the deck of the ship, how he sits in the chair. I felt less is more in my case at least.

Were you fans of Star Trek, and how do you feel about playing such beloved characters?

ANTON YELCHIN I thought I was born to be this character! No, I actually wasn’t a fan, I mean I’m a fan now. I watched a lot of the original series, there’s just something so great about it, you can’t help but really love it.

sd170_20115_150JOHN CHO Although I wasn’t a Trekkie, my primary connection to the show was just being excited about George [Takai] being on television. Yelling across the house, ‘There’s an Asian guy on TV, there’s an Asian guy on TV, come quick, come quick, he may disappear, he may disappear, hurry up. Come now!’ It was just a dream come true for me, what I did in this movie, which was fly a spaceship and have a sword fight, is exactly what my young brother and I would do for hours and hours as children, so it’s weird to get paid to do that!

Eric, you wore a lot of makeup playing Nero; did that help you get into the mindset of the bag guy?

ERIC BANA I wasn’t as scared as my agent was when he came to the set to visit me! It was a weird thing at first, I was really excited, it was actually one of the reasons why I wanted to play the part. I could tell in the script that I would be unrecognizable, and those opportunities in Hollywood are so rare.

Nero_QuadIt was amazing, the first time you put it on and you realize that you can’t read facial expressions. So initially as actor you’re recalibrating, everything you’ve done before is in the bin because if you do that the audience won’t see your face move at all. So you’re sort of having to push through the prosthetics, as amazing and cutting-edge as they were.

Did you feel any pressure about having this massive franchise on your shoulders?

BANA I think the reality is that every time you do a film as an actor there’s crazy pressure, and I think that pressure comes from within, comes from yourself. I think taking on external pressure is like the biggest creative killer. When I read this script not only did I want to get involved immediately, but I turned to my wife and I said, ‘The crew of the Starship Enterprise have got the coolest roles for like coming out character performances ever. I mean, I hope they cast these roles well, because there’s amazing potential in all of these characters.’ All of the crew of the Enterprise have done the most comprehensive, respectful, reimagining of characters and I think all of them had the hardest job in Hollywood this year without a doubt, and I think they’ve done the most incredible job.

Are you thinking about a sequel yet?

PINE I think it’s presumptuous to start talking about future installments before the movie has come out, and we’re very excited about this one, I think people will enjoy this whether they’re fans or non-fans, I know that Bob and Alex are now attached to write a second one if there is going to be a second one. But I know from my part that I loved making this, and I loved the team behind it, my fellow crew mates, so if I were to be asked I know that I would sign up.

jp0565_30300_045

YELCHIN Yeah, but I’m with Chris, we all worked really hard to make this one the best there could be, and hopefully people appreciate it and then we’ll cross that bridge when we get to it I think.

How did you cope with the physical challenges of your roles?

PINE It’s a very scary thing doing a fight scene with Eric Bana when he’s running at you at full speed; the fight of flight kicks in quite quickly! I was not prepared for it at all. It’s one thing to read the script and skim through the pages and say, ‘Oh, I’ll get back to that later. Oh, that’s a fight sequence stunt, let’s get back to the scenes,’ failing to realize that those four or five pages take about a month and a half to actually shoot!

fs030_30741_058But we had a great stunt team behind us. I guess the only anecdote worth mentioning is that on my first day of shooting was the bar scene in the beginning of the movie and I ended up breaking a stunt guy’s nose on the second take. A word of caution to any young actor out there, do not hurt stuntmen because they will pay you back in kind. And the next take after that, that big stunt guy kicked me in the stomach, he said it wasn’t on purpose but I don’t know.

You did a lot of work with green screen and CGI – how did you feel when you saw the finished film?

jp0918_30744_007YELCHIN I thought everything outside of the ships in space I thought was just beautiful, just stunning, and I walked out of the movie thinking that it was so great and I had such a great time, and just seeing how beautiful it was, I think it’s really stunning.

CHO Although you’d be surprised at how much set there was for us to work with. The Enterprise is pretty much as you see it, that’s what we saw every day. There was less CGI than there could have been.

Chris, there’s a scene near the end of the film where you put on the Captain’s gold shirt. Was then when you felt the role of Kirk had become yours?


PINE That was a fun day when we shot that scene, because it was towards the end of the process and we were finally friends in the story. But in terms of feeling that the part was mine, in my mind Captain Kirk will always be William Shatner and William Shatner will always be Captain Kirk, I think it’s just an inextricable connection and the relationship between those two men.

CH-11152This was a great role and as an actor you search for great roles, and this one just happened to be named James Kirk, and so for the time being in this movie I’m playing James Kirk. But I think as many other people will always forever connect Mr. Shatner to that role.

Interviews by Judy Sloane

Star Trek is released today, May 8th. Read the full review here

And, as an added bonus, below you'll find a video interview with Kirk and Spock, aka Chris Pine and Zachary Quinto...



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Highlights

Airborne

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British actress Kimberly Jaraj shares her diary from the set of upcoming airplane thriller Airborne...

READ MORE: Airborne


Pirates of the Caribbean: On Stranger Tides

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Director Rob Marshall, producer Jerry Bruckheimer and stars Johnny Depp, Penelope Cruz, Ian McShane and Geoffrey Rush talk Pirates of the Caribbean: On Stranger Tides...

READ MORE: PotC4


Shadow

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As his visceral horror Shadow comes to DVD, we sit down for an exclusive chat with Italian director Federico Zampaglione

READ MORE: Shadow

Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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