Director Rob Marshall, producer Jerry Bruckheimer and stars Johnny Depp, Penelope Cruz, Ian McShane and Geoffrey Rush talk PotC: On Stranger Tides.....
Down by law
Not so much a remake of the 1992 Abel Ferrara cop classic, which starred Harvey Keitel in the lead role, as a total reimagining, Werner Herzog's Bad Lieutenant: Port of Call - New Orlean [ ... ]
All in the mind
Those familiar with journalist Jon Ronson will know that his choice of interviewees and approach shares commonalties with Louis Theroux’s spiel; where be it affected or not, he ofte [ ... ]
Big Brother
Documentaries have become a dime a dozen over the last few years; the increased availability of technology, a growing acceptance of low production values and the myriad subjects that are [ ... ]
I have been writing about international film for various print and online publications for the past decade, and currently edit bi-monthly UK film mag movieScope.Dedicated to the craft of filmmaking and the art of cinema, it's a must-read whether you're a movie maker or film fan.
I have loved films ever since I saw Gone With the Wind on TV one Sunday morning, and while studying cinema at Leicester University I became a reviewer for the student paper, Ripple, taking over as Film Editor in my final year.
After graduating I got a job at the UK's longest running movie mag Film Review where I worked my way up from producation assistant to becoming the first female Editor in its history. I have written about film and culture for a variety of magazines and websites, including BBC Online, Little White Lies, Filmstar and Kodak's In Camera, and am a member of the Alliance of Women Film Journalists and British Society of Magazine Editors.
I am currenly in the process of updating and streamling Roll Credits; apologies for any out of date content and thank you for your patience!
Written by Nikki Baughan
Tuesday, 09 June 2009 16:17
Trailers
Opening in cinemas this Friday, June 12th, is The Last House on the Left, Universal's updating of the 1972 Wes Craven classic. And, judging from the trailer, it's going to be a pretty terrifying experience.
Directed by Dennis Iliadis (Hardcore), the film sees two young girls kidnapped and assaulted by a group of violent thugs. When the gang then seeks refuge in a house belonging to the parents of one of the their victims, however, they get a serious taste of their own medicine...
Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.
An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…
The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.
Brit favourite Andrew Lincoln (This Life, Teachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.
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