Saturday Jul 31
InterviewGet Him To The Greek
22/06/2010 | Sheila Roberts

We pin down Brit lothario Russell Brand to get the lowdown on his new comedy Get Him To The Greek


InterviewDeath At A Funeral
02/06/2010 | Sheila Roberts

Funnymen Chris Rock and Martin Lawrence tell us why laughter is the best medicine in their remake of Death at a Funeral


More Features

Interview With This Is It Musical Director Michael Bearden

Interview

One of the incredible things you do in this movie is you take one song and use clips from numerous rehearsals and it’s seamless, how hard was it to get the sound right?

MICHAEL BEARDEN It was pretty difficult actually. Different days, the band was live so we had to make sure the tempos were the same on different days. It was hard to piece it together but we were pretty consistent and MJ was as well, he was like a built in clock as far as tempo goes, so it was difficult but we were able to do something that I think is a unique piece of filmmaking. It was never meant to be a film, it was just a documentation for MJ, where he could look and compare weeks, how we looked last week and try to make that better.

How did you choose which songs use in the show?

_DSC9549BEARDEN Fans on the internet made a list of songs they’d like to hear, and Michael had a printout of the fans’ survey and he showed it to me,. He said, ‘What do you think?’ and I looked at it and said, ‘You know, M.J., that’s cool but you have no Jackson Five,’ and he went, ‘I don’t?’ and he threw the paper away. To this day we don’t have a set list complete. It was angst-ridden for both of us. He so loved the fans that he really wanted to do everything they wanted to hear, and I said, ‘Yeah, we can do that, but you’ll be on the stage for 24 hours.’ So we kept the iconic pieces, Beat It and Billy Jean and then we figured out what else he wanted to do. Everyday I would come in and say, ‘Oh, we should play this,’ and he’d start dancing and say, ‘I really love that song,’ and I’d say, ‘Let’s do it,’ and he’d say, ‘No, we can’t.’ I said, ‘Why?’ And he said, ‘Because we have to have production value, I can’t just do a song, I don’t want to cheat the fans.’ All of his songs were like his children.

Michael’s sister, La Toya says she isn’t planning on seeing the movie because she isn’t 100 percent sure if Michael would want his fans to see his performance not absolutely polished, without the production values, what do you think of that?

BEARDEN La Toya is his sister, it’s her right not to see it, but it’s shortsighted. She’s presupposing that we didn’t love MJ as well. We were there every day, so we know what he would want and what he wouldn’t want. As a matter of fact, Kenny, Travis (Payne) and I sort of channelled Michael and thought of him at every moment in crafting this film, so if there was something that we saw that we didn’t think MJ would have wanted, we didn’t put it in. We knew we were making a film that was an honor project and not a glory project. We also knew that his children were going to see this film, and we wanted to make sure that they were proud of daddy in perpetuity; this was going to be forever.

Read Interview with This Is It Director Kenny Ortega

Read Interview with This Is It Choreographer and Producer Travis Payne

Read This Is It Review


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Highlights

FrightFest 2010

FrightFeat_thumbThe full line-up for FrightFest 2010 promises enough thrills and chills to please even the most hardened horror fan...

READ MORE: FrightFest 2010


Get Him To The Greek

GreekFeat_thumbWe pin down Brit lothario Russell Brand to get the lowdown on his new comedy Get Him To The Greek

READ MORE: Get Him To The Greek


Shrek Forever After

ShrekFeat_thumb

As Shrek Forever After takes the world by storm, we sit down with stars Mike Myers, Cameron Diaz, Eddie Murphy and Antonio Banderas

READ MORE: Shrek Forever After

Movie Highlight

Predators

Almost a quarter of a century ago, John McTiernan's Predator cast Arnie as an alien hunter extraordinare and thrilled audiences in the process. No matter that it stuttered as a franchise, with the recent Alien Vs Predator movies smacking of desperation; the original is now heralded as one of the pinnacle moments of Eighies action excess. And riding the wave of nostalgia for this decade that has driven recent reboots like Rambo and A Nightmare on Elm Street comes the all-newPredators, a glossy homage to its 1987 godfather that celebrates all that was great about the original while introducing the concept to a new, effects-savvy generation.

READ FULL REVIEW:  Predators

DVD Highlight

Micmacs

French director Jean-Pierre Jeunet may not be the most prolific of film-makers, having made just 11 movies in the past 32 years, but he's certainly one of the most interesting. And just as there were 10 years between his masterpiece Delicatessen (1991) and Amelie (2001), so nearly a decade has passed since Jeunet introduced the world to the quirky delights of Paris as seen through the wide eyes of Audrey Tautou, meaning the time is right for another slice of French cinema Jeunet-style. And even though Micmacs doesn't have the charming Ms Tautou at the helm, it's still an utterly beguiling piece of pure entertainment.

READ FULL REVIEW: Micmacs

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