Thursday Jun 20

Frozen River (2008)

Theatrical

Cool runnings...

As Courtney Hunt’s film opens on a lingering shot of the frozen Saint Lawrence river in the wilds of upstate New York, so a chill sets in that permeates the whole of this remarkable human thriller. And it’s not just the sub-zero weather than sends a shiver up the spine, but the length the movie’s protagonist Ray (Melissa Leo) has to go to in order to survive.

Despite earning a pittance as a store clerk in a small town near the Canadian border, Ray has saved up enough money for a deposit on a dream house for her two young sons. But when her gambling-addicted husband runs off with the cash, Ray finds herself a broke single mum who can’t put food on the table. A brief encounter with Lila (Misty Upham), a girl from the local Native American Mohawk community, brings Ray into the illicit world of smuggling. Initially appalled, the prospect of easy money is too great and Ray soon finds herself driving illegal immigrants across the frozen river border. But as the ice begins to melt, and the law catches up with her, Ray realises there may be a big price to pay…

Based on writer/director Hunt’s own observations while visiting family in New York State, Frozen River is a bleak look at the realities of life on the fringes of the American Dream. Despite coming from two very different backgrounds, and seemingly having nothing in common, Ray and Lila are thrown together by the same primal need to better the xlives of themselves and their children. Despite their initial animosity they find a sense of kinship and understanding along the way but, even though it makes full use of its Native American locale, this story is not about the healing of cultural divides. It’s an unflinching, social thriller about the issue of poverty in the United States, an issue that transcends all barriers of class, gender and race to govern the lives of those who live under its terrible condition. And it’s told without a hint of sentimentality or melodrama; Hunt knows to let the desperate facts of the matter speak for themselves.

Frozen River is also about Melissa Leo. Her performance as the bitter, determined Ray is simply outstanding; there is no self-consciousness in her portrayal of a woman ravaged by life and willing to do the unthinkable to survive. It’s a master-class in how to absolutely inhabit a character, and fully deserving of the Oscar nomination it awarded Leo earlier this year. And Misty Upham, as the spiky yet deeply vulnerable Lila, lends exceptional support.

Courtney Hunt's film may not be the feel-good movie of the year, but it’s certainly one of the most meaningful. Focused, poignant and expertly-crafted, Frozen River asks a great deal of an audience used to tales of triumph against all the odds and happy endings but it’s about as rewarding a viewing experience as you’re likely to find.

5 stars

ROLL CREDITS...
Stars Mellisa Leo, Misty Upham, Charlie McDermott
Director & Screenplay Courtney Hunt
Certificate 15
Distributor Axiom Films
Running Time 1hr 37mins
Opens July 17


Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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