Tuesday Jun 18

Harry Potter and the Half-Blood Prince (2009)

Theatrical

Black magic...

I gave up reading the Harry Potter books just before The Half-Blood Prince got published. Frankly, I was bored with the same old story of 'boy wizard going up against yet another annoying Hogwarts teacher wanting to stop him fulfilling his Voldemort-killing destiny'. Plus the fact that the books really are just kids-lit, even with all the titter-some adolescent sexual problems. So is it because I was unfamiliar with the plot line of the sixth in the JK Rowling series that I preferred Harry Potter and the Half-Blood Prince to the rest of the variable film adaptations? Because this David Yates directed episode is truly outstanding, and everything I had hoped the others would be from a mature and magical standpoint.

Beginning with a dizzying Death Eater attack on central London resulting in the Millennium Bridge crashing into the Thames, the main plot focus is Dumbledore (Michael Gambon) luring former potions professor Horace Slughorn (Jim Broadbent, an eccentric blast) back to Hogwarts so Harry (Daniel Radcliffe, looking older and wiser) can dislodge a key clue regarding the Dark Lord from the teacher’s resistant mind. Because Slughorn taught Tom Riddle, who transformed into Voldemort, and only he knows critical information crucial to unlocking the Dark Lord’s defences. Meanwhile Draco Malfoy (Tom Felton) is experimenting with a Vanishing Cabinet in Hogwarts’ attic as Professor Snape (Alan Rickman, slimier than ever) makes an unbreakable vow leading to the shock demise of one of Rowling’s beloved characters.

A difficult book to adapt because it’s more about setting up The Deathly Hallows finale (which Warner Bros, in their financial wisdom, have split into two movies), returning scripter Steve Kloves (he took a break from Harry Potter and the Order of the Phoenix) does an admirable plot condensation without losing the engrossingly emotional depth or darker tone of the surprisingly adult narrative. The result of this accent is that the romantic entanglements (between Harry and Ginny Weasley) and rampaging hormonal comic relief (the Ron Weasley, Lavender Brown, Hermione Granger triangle) gets somewhat overshadowed. So does the inevitable Quidditch match, hooray!

Yet returning Order of the Phoenix director Yates dazzles with an evocatively brooding style and conjuring up of deliciously demonic atmospheres. Especially the scary wonder of the underground cavern centrepiece where Dumbledore turns into a wizard Moses parting a red sea of flame in truly awesome Ten Commandments mode. Seamless throughout its lengthy running time, top-drawer in terms of production value and with its murky morality play vigorously conveyed, this satisfyingly grown-up segment raises the story-telling and technically superior visual effects bar for the entire series.

4 stars

Alan Jones

ROLL CREDITS...
Stars Daniel Radcliffe, Emma Watson, Rupert Grint
Director David Yates
Screenplay Steve Kloves
Certificate 12A
Distributor Warner Bros
Running Time 2hrs 33mins
Opens
July 15

All images © 2009 Warner Bros. Ent.
Harry Potter Publishing Rights © J.K.R.
Harry Potter characters, names and related indicia are trademarks of and © Warner Bros. Ent. All Rights Reserved.




Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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