Thursday May 23

New Town Killers (2008)

Theatrical

We'll live and die in these towns...

The theme of sadism for kicks has become something of a staple in modern cinema - think Michael Haneke’s Funny Games, for example, or Chan-wook Park’s Oldboy. It seems that it’s no longer enough for protagonists to commit heinous acts out of psychological compulsion or desire for revenge; it’s far more chilling to watch people willingly inflict violence on their fellow man for no other reason than to get their kicks. And, although Richard Jobson’s New Town Killers won’t set the British thriller genre alight, it’s certainly a disturbing viewing experience.

Alistair (Dougray Scott) and Jamie (Alastair Mackenzie) are two city-slicking hedge fund bankers who find their thrills in playing 12-hour games of hunt, hide and seek through the streets of Edinburgh with those who are less fortunate. Their next target is Sean MacDonald (James Anthony Pearson), a poverty-stricken teen attempting to support his pregnant sister. Having been told that if he stays hidden until morning he’ll win a heap of cash, Sean soon realises that the reality is far more deadly...

It’s no coincidence that Alistair, who changes the rules of his sick little game at will, is a banker with an enormous chip on his shoulder when it comes to the working class. Barbed social commentary spikes through the heart of Jobson’s film, which is a scathing attack on the massive gulf between rich and poor; the wealthy have all the control, while the rest are – literally- at their mercy. It’s just a shame that Jobson's warning about the dangers of excessive greed is somewhat overwhelmed by the pantomime villainy of Alistair, and the fact that the chase plays out like a twisted computer game – although this was, apparently, an intentional visual choice. Intriguing, if not entirely successful.

3 stars

(This review has also been published on Little White Lies )

ROLL CREDITS...
Stars Dougray Scott, Alastair Mackenzie, James Anthony Pearson
Director & Screenplay Richard Jobson
Certificate 15
Distributor High-Fliers
Running Time 1hr 40mins
Opens June 12


Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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