Wednesday May 22

Summer Scars (2007)

Theatrical

If you go down to the woods today...

Oh, to be a teenager again. Standing on the cusp of adulthood, with all the opportunities it promises, but still able to rely on mum washing your clothes and cooking your tea. But not even good old mum can help the kids at the centre of Julian Richards’ low budget thriller, whose devil-may-care push for independence ends up costing them dearly.

Fourteen year old Bingo (Ciaran Joyce) and his mates decide to skip school to hang out in the woods. Soon a day of skiving, smoking and snogging is interrupted by the arrival of Peter (Kevin Howarth), an unkempt drifter who, after winning the group’s trust, soon begins to reveal his true nature. Peter’s knockabout jibes soon turn into violent bullying, but it’s he reveals what he’s got in store for lone girl Leanne (Amy Harvey) that things really get out of hand. And, by the time the dust settles, nothing can ever be the same.

That Richards’ film starts out as a run-of-the-mill teen drama and ends up a chilling allegory about the fragile innocence of youth is more to do with his spirited young cast than the story itself. The narrative is flimsy, on paper a one-note horror that doesn’t promise much, but in the hands of its cast it turns into a short, sharp shocker. Howarth brings an unstable intensity to Peter, the fact that he’s ex-military hints at post-traumatic stress that lingers, unexplored, in his every move. And, as the kids run the gamut of emotion from swaggering bravado to disbelief to sheer terror, Summer Scars develops into something altogether more disturbing, with a climax as brutal as any Hollywood slasher. It may well be an exercise in low-budget simplicity, but it's a neat little chiller that doesn't outstay its welcome. 3 stars

(This review has also been published on Little White Lies )

ROLL CREDITS...
Stars
Ciaran Joyce, Kevin Howarth, Amy Harvey
Director Julian Richard
Screenplay Al Wilson
Certficate 15
Distributor Jinga Films
Running Time 1hr 8mins
Opens June 6 (showing as part of the ICA's New British Cinema Season, and in key UK cities)


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The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

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Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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