Saturday May 25

Coraline (2009)

Theatrical

The others...

That author extraordinaire Neil Gaiman wrote the deliciously fantastical story Coraline for his young daughters makes it no less accessible for a wider audience. In fact, Gaiman’s absolute understanding of the hopes, fears and joy of being a youngster imbues his story with vivid life – and when his epic imagination is teamed with that of writer/director Henry Selick (A Nightmare Before Christmas), it results in a sumptuous, stunning film that will charm audiences young and old.

 

Coraline (voiced by Dakota Fanning) is a feisty young girl frustrated that he parents (Teri Hatcher and John Hodgman) are more devoted to their work than to her. The family has recently moved to a new house and, while exploring her new surroundings, Coraline discovers a tiny door that appears to lead to nowhere. One night, however, Coraline finds the door is an opening to an alternate realm, where her ‘other mother’ (Hatcher again) is waiting to spoil her, listen to her and tend to her every need. As Coraline spends more and more time in this seemingly perfect other world, however, she begins to realise that all is not what it seems…

 

Combining expertly crafted stop motion animation with the latest 3D technology – the first time this has ever been done on the big screen – Coraline is visually stunning, its three dimensional depth and bright animation pulling the viewer into Coraline’s worlds. Selick shows the sharp attention to detail that he demonstrated in A Nightmare Before Christmas; absolutely everything on screen, right down to the smallest object seen for a split-second, has been carefully through about and designed. From the cutesy (the performing mice) to the terrifying (Other Mother), from the funny (elderly actresses Miss Forcible and Miss Spink, voiced by Dawn French and Jennifer Saunders) to the moving (Coraline’s eventual realisation that home is where the heart it), everything looks so real that you feel you could just reach out and touch it.

 

But Coraline’s strength does not rest solely on its visual prowess; as wonderful as the animation is, it could not have carried the film alone. The story is so strong, entertaining and enjoyable, the characters so well defined in personality as well as appearance that they pop off the screen. As a heroine, Coraline is utterly charming – cute as a button with a thrilling sense of adventure and a childlike vulnerability. And Selick’s script is fast-paced, witty and knowing, the dialogue snappy throughout. In fact, all the elements are so strong that the fact it’s animated is an added bonus, rather than being the thing that defines the film.

 

That said, if you get the chance to see Coraline in 3D, jump at it. When a film is this goof, there’s surely nothing better than adding another dimension to the viewing experience!

 

5 stars

 

And, as an extra treat, we've got a couple of clips from the movie, plus a Meet the Cast featurette. Enjoy!

Play: Coraline Meets Other Mother
Play: Way too Old For Dolls!
Play: Meet the Cast

 

ROLL CREDITS...

Voices Dakota Fanning, Teri Hatcher, Ian McShane, Dawn French, Jennifer Saunders

Director & Screenplay Henry Selick, from the book by Neil Gaiman

Certificate PG

Distributor Universal Pictures

Running Time 1hr 41mins

Opening Date May 8

 


Movie Highlight

The Woman in Black

Having relaunched in 2010 with the promise of delivering solid horror films for a modern audience, the output from the rebooted Hammer Films has been something of a mixed bag. While its inaugural release, remake Let Me In, was received with great fanfare, subsequent films The Resident and Wake Wood have been less successful. So with its first big release, The Woman in Black, Hammer has much to prove – and has piled on the pressure by choosing to adapt a story that’s not only a bestselling novel but also a long running West End play.

An additional challenge is that tale is so effective because of its simplicity; there are no big set pieces for a filmmaker to hide behind. So it’s reassuring to see that, while some elements of Susan Hill’s story have been tweaked to give it more of a cinematic scope, the narrative runs fairly true. At its heart is young lawyer Arthur Kipps (Daniel Radcliffe) who, still reeling from the death of his wife in childbirth four years previously, is sent to a remote village in order to organise the paperwork at the isolated Eel Marsh House. On his arrival he finds the locals most unwelcoming, believing that anyone disturbing the peace at the house brings tragedy to the village. Although initially sceptical, Kipps soon discovers that the mansion holds horrifying secrets, and that one of its former occupants is determined to exact terrifying revenge…

READ FULL REVIEW:  The Woman in Black

DVD Highlight

The Walking Dead

The living dead have been a mainstay of horror cinema for decades. Now they maraud onto the small screen in Frank Darabont’s adaptation of the graphic novel by Robert Kirkman, Tony Moore and Charlie Adlard.

Brit favourite Andrew Lincoln (This LifeTeachers) adopts a convincing drawl to take on the role of sheriff Rick Grimes, who wakes from a coma to find the local residents have become flesh-eating ghouls. While the initial set-up is reminiscent of 28 Days Later, these zombies are not Danny Boyle’s fast moving monsters, but the lumbering breed of tradition. That doesn’t dilute their impact; as Rick teams up with other survivors, the zombies are relentless in their pursuit and the tension builds to unbearable levels.

READ FULL REVIEW: The Walking Dead

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