Young Irish writer/director Gerard Barrett follows up his 2013 debut Pilgrim Hill with the equally as gritty Glassland, a film which makes the absolute most of its two excellent leads to present a powerful study of the devastating personal battles being fought behind myriad ordinary doors. Here, Barrett addresses the same themes of isolation, despair and parental relationships as in his first film, but shifts his focus from the empty expanses of rural Ireland to the claustrophobic confines of the nondescript working class backstreets of Dublin.
In modern day Columbia, just as in the rest of the world, the gap between rich and poor grows ever wider, swallowing entire generations in the process. This is the bleak reality at the heart of Gente De Bien, the third feature from Colombian director Franco Lolli which, although nothing new, is a solid entry in the enduring stable of Latin American social cinema.
"There can be no murder in paradise.” That is the intriguing backbone of both novelist Tom Rob Smith’s 2008 best-seller and this rip-roaring adaptation, which casts the multi-faceted Tom Hardy in the role of a battle-hardy member of the military police in Stalin-era Soviet Union.